Programm März 2019

Di 26.03.2019
Hafenklang | Konzert

ALEX ZHANG HUNGTAI (aka. Dirty Beaches, L.A.)

Beyond the personal consciousness, there is the familial consciousness,
above the familial there is the cultural, above the cultural, the
historical, and so on ascending into the vast cosmical or spiritual
consciousness. The conception of Divine Weight derives from Zhang
failed attempts of saxophone compositions and recordings accumulated
over the last 3 years, from there it became the actual stem tracks that were
heavily digitally disfigured until it no longer resembled the sound of
saxophones. Like dreams, visions often come to us without us having the
capability to measure or understand fully what they mean. Similar to
Alejandro Jodorowskys Psychomagic, dreams and visions take on the roles of
witnesses inside the uncharted labyrinth of the personal sub-conscious. To
witness, is to believe. To believe, is to project a certain reality onto
the external world. The projection then, has nothing to do with reality.
Perhaps its where dreams go, after it dies.

Eintritt: 15.00 € | Eintritt VVK: 12.00 €
 | Open: 20:00 | Start: 21:00
Mi 27.03.2019
Hafenklang | Konzert

Bob Wayne (Rock/Outlaw Country, USA)

The last few years have been nothing, but the usual wild ride for BOB WAYNE with numerous shows throughout Europe, North America and Brazil that didn’t just have him play festivals such as Ramblin’ Man Fair (UK), Speedfest (NL), or even the legendary Wacken Open Air (DE), but also saw him supporting The BossHoss on sold out arena shows in Germany in 2016.

After releasing “Hits The Hits”, an album with cover versions of some of the world’s biggest hits, the singer, songwriter, storyteller and nomad is back to telling his own stories on his new album “Bad Hombre“ some of which drew influences from meeting people while he is doing what means the most to him: Being out on the road, traveling to distant places, going to many remote little towns and villages throughout the world, playing live and meeting the most diverse people.

He is telling everyday stories from ordinary men and women that often go unnoticed like in “Devil’s Backbone” which is not just a clever title, it’s actually the name of the region in Alabama where Bob met and became friends with some of the characters of this true story. “80 Miles To Baghdad” is a song BOB WAYNE wrote after meeting and hearing the traumatizing story of a war veteran after a gig that shows that there is no glory in war. “Take Back The USA” starts off asking the listener to turn off his or her TV and cell phone, and go outside to take a breath of life. Then it breaks into a very hillbilly-esque chorus about having a "coup d'état all day long - yeehaw". Due to the current political climate we asked Bob to comment on this song and he had this to say: "I strongly believe that music can hold a very strong healing energy, and my music is written to take you out of your own mind and go on an adventure with me through lyrics and melody... Oh and some shredding banjos and fiddles of course, haha. Nothing on a BOB WAYNE record should ever be taken seriously, they are just stories, just as I'm sure Johnny Cash didn't really kill a woman and spend his life in Folsom Prison. It’s the same, I know Johnny would never condone that or want that to happen, they are stories meant to entertain people and that's it! So just in case anybody from security hears this song: It’s just a joke, haha. I have no plans in starting a coup d'état, it's actually just a song that I'm practicing my French speaking skills in, a country that I love dearly." - “Kiss My Ass God Bless The USA” is about an evening that Bob accidentally drinks moonshine mixed with other substances and ends up in a drug induced 'Fear and Loathing in Las Vegas' style ride through Texas. “The song actually has absolutely nothing to do with the USA other than the fact it was written there and the drunk Bob yells it out at the end of the chorus.” - “Mr. Bandana“ is dedicated to a late friend of BOB WAYNE’s: “We were driving down the road one day and he looked at me and said: ‘I never should have crossed the Mason-Dixon Line.’ and it stuck with me.” Let’s add a pinch of dark romance with “Fairground In The Sky”, a bitter-sweet duet featuring the wonderful voice of Nashville's Kristina Murray. But make no mistake, there is always a twist in BOB WAYNE’s tales: It’s a song about a couple making a deal with the devil for success and in the end they have to pay with their lives. Still, we wouldn’t be listening to a BOB WAYNE album if it didn’t feature outlaw country anthems such as “Hell Yeah” or “Hangin Tree”. “Still Truckin” might sound like a hymn to life on the road at first, while it was actually a song Bob wrote for his musical hero Red Simpson who had many truck driving hits in the 1960's. Simpson was due to record the song but sadly passed away early in 2016, so Bob decided to bring the song to life himself in Red Simpson’s honor.

At the end of the day “Bad Hombre” is a collection of anthems for the lost, the forgotten and the outcasts that shows a lot of love for ordinary and diverse people. We are all facing the same issues and problems, no matter where BOB WAYNE meets us along the way in some godforsaken place during one of his many ventures. “Bad Hombre” truly captures the art of BOB WAYNE’s story telling that we have come to love over the years. Yet again the spirit of freedom in the music was captured by Andy Gibson who produced, engineered and mixed the album at his home studio in Nashville, TN where BOB WAYNE was joined by his bunch of Outlaw Carnies to track “Bad Hombre”. So saddle up your horses, folks, and get ready for another good ride with BOB WAYNE through 2017 as the “Bad Hombre” hits the road! YEEEEHAW!

Eintritt: 18 € | Eintritt VVK: 15 €
 | Open: 20:00 | Start: 21:00
Goldener Salon | Konzert

Rott (HC-Punk, Kiel)
Suck (Synth Punk, Kassel)
Scheiß auf Kaya ( Punk Punk, HH- Suburbia)
Aftershow DJ Mo

Die Nabelschnur ist kaum abgetrennt und schon stehen sie auf der Bühne. Ohren auf für die Frischen und Guten:

Aus den Tiefen der belebten Kieler Szene, entsprungen aus "Stumbling Pins" Charakteren, braut sich etwas zusammen und findet Platz zwischen HC Punk und D-Beat.
Frisch wie Kokosnüsse aus den Tropen, herausgewachsen aus "Catch As Catch Can" und "Counts On Crack", serviert mit Synthpunk, Stoner und Garage.

Ob du noch Bier hast hab' ich dich gefragt

Eintritt: 8.00 €
 | Open: 20:00 | Start: 21:00
Do 28.03.2019
Hafenklang | Konzert

Le Butcherettes (Garage-Punk, Mexiko)

LE BUTCHERETTES Live 2019 präsentiert von VISIONS Magazin, OxFanzine,,

Seit über einem Jahrzehnt ist die Band um Frontfrau Teresa Suárez Coscío unermüdlich im Zeichen des musikalischen Widerstands unterwegs. Mit ihren drei Alben ›Sin Sin Sin‹ (2011), ›Cry Is For The Flies‹ (2014) und ›Raw Youth‹ (2015) sowie ihren furiosen Live Shows haben sich Le Butcherettes international den Ruf als eine der intensivsten Erfahrungen in Sachen Garage-Rock erspielt. Auf ihrem vierten, von Talking Heads Mitglied Jerry Harrison produzierten Album gelingt der inzwischen zum Quartett angewachsenen Band ein großer Wurf: Sie verlässt das Korsett des sperrigen Punk zugunsten eines zugänglicheren Sounds, der der inhaltlichen Tiefe der Texte mehr Raum verschafft und dadurch umso mehr Durchschlagskraft entwickelt. ›bi/MENTAL‹ erscheint am 01.02.2019 und führt Le Butcherettes im Rahmen ihrer Europatournee auch für drei exklusive Shows nach Deutschland!

Eintritt: € | Eintritt VVK: 20.50 €
 | Open: 20:00 | Start: 21:00
Goldener Salon | Konzert


Ashley ‘Crash’ Gallegos and Adam ‘Doseone’ Drucker are:

Go Dark (US)

"Go Dark emerge from digital ghettos, torn up synths and blunt, punk-edged Brutalism that conjures John Carpenter style visions of futuristic dystopia – except it’s happening right here, right now."

Eintritt: € | Eintritt VVK: €
 | Open: 20:30 | Start: 21:30
Fr 29.03.2019
Hafenklang | Konzert

Cleopatrick (Rock, Kanada)
Support: Ready The Prince (Rock, Kanada)

Bereits im Kindergarten liefen sich Cleopatrick-Frontmann Luke Gruntz und Schlagzeuger Ian Fraser über den Weg. Sofort entstand eine Verbindung zwischen den beiden Kanadiern und schon im Alter von acht Jahren spielten die Kinder musikbegeisterter Eltern die Songs von AC/DC nach. Auch heute lieben die Beiden noch die gleiche Musik. Luke Gruntz spielt mittlerweile Bass und Gitarre und gemeinsam haben sie ihren einzigartigen Rock-Sound, gepaart mit Blues-Einflüssen in der Band Cleopatrick verwirklicht. Ihre erste EP „14“ entstand in nur einer einzigen Studiosession und die Themen, die darauf behandelt werden, sind passend zur eigenen Biographie: Freundschaft und Kindheit. Mit der Veröffentlichung von „Hometown“, der ersten Single ihrer kommenden „Sophomore“-EP, haben Cleopatrick in 6 Monaten mehr als 6 Millionen Spotify-Streams gesammelt und sind auf dem Titelbild von „Rock This“, der größten Rock-Playlist der Welt, zu sehen. Jetzt, im globalen Scheinwerferlicht angekommen, geht die Band nun los auf die Straße und hat dabei nicht weniger im Sinn, als die Neuerfindung der Rockmusik.

Ready The Prince:


Eintritt: € | Eintritt VVK: 13.00 €
 | Open: 19:00 | Start: 20:00
Goldener Salon | Konzert

FAZI / 法兹乐队 (Post Punk / Dark Wave aus China)
+ support: See More Glass ( Post Punk / Dak Power Pop aus HH)

Gefördert durch die Freie und Hansestadt Hamburg, Behörde für Kultur und Medien.

FAZI formed in February 2010, amidst the deep historical roots of Chinese dynasties and a modern city that lacked the musical edge they craved. Having outgrown their natal Xi'an, the band travelled to the capital of China, covering the massive expanse of only a third of this gargantuan territory. Beijing’s flourishing multicultural setting proved to be fertile ground for the band, recording and producing their first album there.

Like a diamond in the rough, FAZI’s album was an impressive debut that gained them attention from all over China, including Beijing-based indie label Maybe Mars who would be the perfect match for the band’s Dark-Wave Post-Punk sound.

Two studio albums and a tour of China, Europe and the USA followed, to much acclaim. Now the door between East and West has been opened, the band is primed for international success.


support: See More Glass

Gefördert durch die Freie und Hansestadt Hamburg, Behörde für Kultur und Medien.

Eintritt: 10,00 € | Eintritt VVK: 8,00 €
 | Open: 20:00 | Start: 21:00
Sa 30.03.2019
Hafenklang | Party

Somnium 2 Floors

Open: 23:45
So 31.03.2019
Goldener Salon | Party